Another Reason why the Arts don't pay…

Pay to play. If you've never heard this term, you've never been in a band in Southern California. What this refers to is clubs that actually charge a band to play, rather than pay them. What is this travesty, you ask? Here's how it works:

The most common form of P2P is this, a club sells the band a large number of tickets to their own show at a greatly reduced price, the band then has to sell the tickets for whatever price they can get to make their money back, or in rare cases, a profit. Most of the “Big name” clubs in L.A., however, use a more insidious form. At some of these clubs, a band usually has to pony up $300-500 to “buy” a spot on the bill, and then they get a share of the door, which will hopefully be enough to reimburse them or make a profit. But it rarely is, unless your band happens to already have a large following. For well known national and even regional acts, these practices aren't all that harmful, because they have the draw to cover the expenses and still make a profit. However, for well known national and regional acts, the clubs usually waive these fees and practices in order to lure them in. So what it all boils down to is this: When you are in a band that is starting out and doesnt' have a very large, established following, it is practically impossible to develope such a following because you find it impossible or expensive to get gigs at decent clubs. Once you get to the point where your draw is strong enough that these expenses aren't a concern, the expenses are usually waived. So they go away once you can afford them. Isn't that the American way? It's like band draw credit, you can't have any until you prove you don't need it. The clubs will tell you that dealing in this way protects them, in the event that they book a bill of bands that has nobody show up for them. So that if they don't get paying customers they've at least got paying bands. There is a modicum of validity in this, because there are SO MANY awful bands in Southern California. These clubs would probably never let a lot of these bands play at all if it weren't for P2P. Then again, if you are in an awful band with a lot of bandmates who all have a lot of friends that will always come see you play, then you'll always find gigs. The main problem with this is that it makes it impossible and impracticle for a band from out of town to book a show at one of these clubs because they A) won't be in town long enough before the show to sell tickets, and B) are probably trying to expand their sphere and don't have a following in SoCal, which is why they'd wanted a gig in the first place.

Note to club owners/bookers: If a band is good enough to pack up their gear, hit the road, and earn enough to stay on the road, they're going to be good for your club, so boot the P2P and get those guys on stage.

What brings me to this rant is that we were faced with P2P for our gig this past Friday night. We had a show lined up for Dreamstreet, in Ocean Beach. Dreamstreet is widely known in the San Diego area as the club for bands that don't have anywhere else to play. Not that it isn't a nice club, they've renovated it and it actually is a decent venue. So, we've played there often enough, and with increasingly positive results, so that we are always offerred weekend gigs, and we don't have to call them, they call us. So when the manager called us up to offer this date, we asked if we could have the evening to ourselves and bring along a couple of other bands that we'd been doing a lot of shows with. He said sure, that would be fine, and it should be since our draw was steadily increasing and combining it with “Catatonic” and “Tandemoro” (From L.A.) had always filled up the venues we'd played in the past. He said he wouldn't bother with the “ticket guarantee” (his term for the first mentioned form of P2P above), because he knew us and we usually drew fine. Well, about a week or so before the gig, which was completely finalized and settled for us three bands, he called up to let us know that he had added two other bands to the bill (when this happens they almost always are bands that are in no way musically compatible with us or the other two bands we'd set up). He also let us know that he'd decided to go ahead and reinstate the “ticket guarantee”. So, we kinda felt slighted, as though he'd decided that our success at his club in the past was a fluke. And to top it all off, we looked like jerks to “Catatonic” and “Tandemoro” because now we have to come back and tell them that they have to sell tickets. This would be particularly difficult for Tandemoro, since they lived in LA. We, earthShine, had no trouble moving our allottment of the tickets. I don't think we had any left over. But Tandemore had one of the smallest crowds they'd had in all the shows we've played with them in San Diego. Despite this, we had the best crowd I've ever had at Dreamstreet in any band I've played there with. And they were very vocal and responsive, and they spent a lot at the bar. But, when it came time to settle up at the end of the night, the club owner tried to tell us that it was a slow night, not enough tickets were sold, bar didn't do well, etc. He didn't want to divvy up the door. I've encountered it many times before, so I wasn't shocked or upset, I just felt slighted, yet again. We did have the money we made from selling our tickets, so we didn't lose money on the night, but still. As I've said many times before: If I were in it for the money, I would've quit long ago.

Lyrical Saturday: Lemon on Your Tongue

Lemon On Your Tongue

(Music:  D. Miranda     Lyrics:  T. Ison, J. Link)

Vocals:  Jen Link

Guitar:  Denver Miranda

Bass:  Rick Shute

Drums:  Todd Ison

 

Recorded/Mixed by D. Miranda

(c)2004 earthShine Music

 

 

When I waved at you

Did you see me?

When I told you a story

Did you believe me?

 

Pictures of mine

Exist in your mind

As a lemon on your tongue

 

When I spoke to you

Did you hear me?

That time I danced for you

Did you dance with me?

 

Pictures of mine

                                                   Exist in your mind

As a lemon on your tongue

 

Memories, those things I remember

Can’t be erased

Memories, those things I remember

Can’t be replaced

Memories, those things I remember

Thoughts of you

Memories, those things I remember

I always knew

 

Memory

Memory

Memories and thoughts of you

 

While you head for home

Do you think of me?

While you sleep in your bed

Do you dream of me?

 

Pictures of mine

Exist in your mind

As a lemon on your tongue

Last night's dream

Since Kelley asked me yesterday, I actually made an effort to remember my dreams from last night. As it turns out, I had a bizarre one, though not of the epic variety. In this dream I inhabited a world where images came to life. Creative people were celebrated because the images they created actually gave birth to another living being. The thing is, the images came to life exactly how they were created. So most of these living images were 2 dimensional. Just flat painted people walking around. As usual, my dream was merely a scene from a much larger story, and I entered it with an inherit understanding of the overall story. The scene I inhabited in this dream was one where myself, another “Real” (The term given by living images to flesh and blood creatures) and several image people were sitting around a table talking. Apparently some of the image people were newly created and were just beginning to gain an understanding of the world around them. For example, one image person was bragging about the shading his creator had bestowed upon his likeness, while another, almost cubist image person, wasn't interested in looking like a “real”. This world, although I only experienced a few minutes of it, was very vivid and, as you can imagine, quite colorful. I remember witnessing the birth of two image people who had merely been faces painted on the seats of barstools. It was interesting to note that some “creators” (artists) had begun to use computers to construct 3 dimensional image people, who naturally had an innate superiority complex, which was scoffed at by the more abstract, surrealist and impressionist image people who thought it “unoriginal” to look too much like a “real”. I guess perhaps this dream was a tiny glimpse into the worlds created by imagination. It's probable that this dream was inspired, somewhat, by the book I'm currently reading, called “The Strange Adventures of Rangergirl”, by Tim Pratt. The novel involves, among other things, characters from a comic book that seem to begin appearing in real life. Not a big stretch of the imagination to get from that to paintings springing to life.

 Thanks, Kelley, for putting the idea in my head to try to remember dreams. This was a fun one.

A Bittersweet New Year

I chose my vacation time for this past holiday season based on a rare alignment of planets. Well, alignment of people. It was going to be the first time that all the original core members of Bob Spelled Backwards, in addition to some of the essential newer participants, were all in the same place at the same time in several years. Every year there is a partial gathering, including one 2 years ago that included everyone but me. It stung to miss that one. In the ensuing 2 years our circle had grown considerably. Jesse had gotten married, and he and his wife, Sam (whom I've also known for a long time), had a child about a year ago. Josh married Colette, who I dig. Allen got engaged to a girl who's name I embarrasingly don't remember. Carrie, I think it is? Mike is even engaged to Maria. That leaves me and Reuben as the remaining bastions of solitude. Of course, Chris and Kelley were married years ago, and were also the first to produce offspring, Darby, who is a delightfully weird girl. This is not surprising considering her delightfully weird parents. (Yes, Darby, weird is a compliment coming from me, who wants to be normal?)

When I was waiting to get on the plane on the 29th, I started calling the guys just to finalize some plans when I found out that Mike's dad had passed away the day before. Needless to say this changed the complexion of our New Years plans. He had been sick for some time with a rare liver condition and never got the transplant he needed. It was comforting to know that he was at home with his family and that Mike did get to see him shortly before he passed.

Have you ever been to a New Years party that doubled as a wake? That was strange and fun and sad at the same time. It was what his dad would've wanted, lots of obnoxious loud music and obnoxious drunk people. I pointed out that his dad's timing, while seemingly bad on the surface, coming during the holidays and all, was actually quite brilliant, seeing as how his family was all still in town from xmas, and that all of Mike's friends were all together for the first time in ages, and could all be there for him. I told him that his father's timing of his death was his last gift to his family. Mike's mother, Jan, was awesome. I talked more with her that evening than I had during the rest of the time I've known her combined. At times, I almost felt guilty for having a good time, but I kept reminding myself that this was a celebration of Bill Shaffer, and that the funeral would be later, sadness could be saved for that. As should be expected, spontaneous a capella Bob songs erupted. A drunken Josh would not be denied, and we were more than happy to oblige. And, for the first time in my life, in honor of Bill Shaffer, I did a shot. (Shhh. Don't tell anyone).  It had to be the strangest new year of my life. I was with the people I wanted to be with, but under tragic circumstances. Nevertheless, we were all glad to see each other.

Most of my plans for the vacation were shuffled, altered, or otherwise cancelled, so I could hang around the hometown and be there to take Mike out every night, and on a couple of day trips, so he could get away from all the family stuff. It's not like this was a chore for me, I haven't gotten to spend this much time with Mike since we last lived together nearly a decade ago. We went out to Chris and Kelley's for an evening, and up to Boone for a day. Much fun.

The rest of my vacation consisted of 2 more trips to Statesville to see Chris and Kelley, one more day trip to Boone, and a stopover in Raleigh, along with A LOT of Greensboro. I got to spend several evenings with Josh, which was a rare treat, being that he lives in Hong Kong. One of the trips to Statesville was for the Mitchells' New Years Eve Eve party, the day after I got there. With Allen and fiance, and Josh and wife in tow. Well I guess I was in tow with Allen, since he drove.

One of the things I was looking forware upon returning to North Carolina in January from Southern California was actually experiencing some WINTER. Unfortunately, I was denied this simple hope. It stayed in the 60's most of my visit. The lone exception was my second day trip to Boone, a day after they'd had a snowstorm. It was nice to be cold again. Ahhhh. Pictures are here: www.fotolog.net/ambnibdai. As usual, I reluctantly returned from my visit to my homestate with fantasies about returning. I would very much love living near Chris and Kelley. I would most like to live in Asheville, the city that most closely matches everything I want in a place to live. But one thing I learned to appreciate upon speaking with my friends about jobs and such is that I have a great job with a great company working with people I like. And I have the greatest work schedule imaginable, something I'll never have again if I give up this job. And Mike has me half convinced to move to Colorado. Although I still maintain that I want to leave San Diego, I'm not going to move somewhere without a good reason to be there, like I did when I moved to San Diego, because I don't want to have to move yet again after that. Let's hope that 2007 gives me an answer to this question….

Epic Dream: The Mongoose, the Chipmunk and Mescalito

According to dreammoods.com:

Epic dreams (or Great dreams) are so huge, so compelling, and so vivid that you cannot ignore them. The details of such dreams remain with you for years, as if your dreamt it last night. These dreams possess much beauty and contain many archetypal symbology.  When you wake up from such a dream, you feel that you have discovered something profound or amazing about yourself or about the world. It feels like a life-changing experience.

I've had a handfull of these dreams in my life, and I've never properly documented them, so I may as well do it here, huh? The funny thing is that I've always referred to these dreams as “Epic Dreams” but never realized until I did a google search that this is actually what they are commonly referred to as.
The following dream occured sometime around age 12-13.

The dream of the Mongoose, the chipmunk and Mescalito

Eyes open…
I'm a mongoose. I'm not surprised to be a mongoose. I guess I've always been a mongoose. I am surprised, however, to find myself in a cage. I am not alone in this cage. With me is a chipmunk. Not the brightest fellow, but nice enough. Also with me is a little green man with a tall forehead, pointed ears, and short spiky black hair whom we'll call Mescalito. (NOTE: a later interpreter suggested that this figure could represent Mescalito, a figure from Native American folklore who is mentioned as a “plant ally” in the works of Carlos Castaneda. I don't know if this is accurate, but “Mescalito” is much easier to type than “Little green man”, so I'll use it). To start out, our motley crew is pondering the plight of our captivity. Our cage is in a modest dwelling of wooden walls with a thatched roof. It must be summer because the windows are swung open, and the door is standing open to let in fresh air. Our captor is a Cyclops. None of us is sure what his plans for us are, but we're not eager to find out. Mescalito was the de facto leader of our strange crew of mammals and gods, and he had formulated a plan for our escape. Every day at a certain time, the Cyclops would open the front of our little cage to feed us. It was decided that the next time he came to feed us, we would force the cage door back open against his strength so we could escape. I pointed out to Mescalito that this plan could never work because even our combined physical strength would do little against that of the Cyclops. “We must use our minds' strength instead, it is there that we have the clear advantage”, he replied. Later that day when he opened the front of our cage to bring in our food and water, we were ready. The chipmunk and I stood on either side of Mescalito, with our hands on his shoulders. He assumed the classical “mind powers” position of intense concentration with fingers pressed to temples. We all concentrated and focused our mental energy, and forced the cage door back against the physical strength of the cyclops. My memory here is foggy, but the cyclops lost his footing and fell back against some shelving and was at least momentarily incapacitated, allowing us to make a break from the cage and out the open door to the fields beyond. Outside the cyclops' cottage were a vast expanse of low rolling hills covered in swaying green grass. (I have since seen hills very much like this going up Interstate 5 just south of the California Bay Area). We ran, the slowed to a walk, and must have covered several miles before coming to a human sized house. Here we went in through a doggie door to seek respite from our flight. We found ourselves in a finished garage, converted into a game room (not unlike the one in my house when I was growing up, where I lived at the time of this dream). There was a pool table in the center of the room, with a pool table light hanging down over it from the ceiling. Our hopes for a rest soon disappeared, however, as the room was also occupied by a Cobra, who thought any of us might make a nice lunch. Being a mongoose, I told the others to go on ahead while I held off the snake. I proceeded to do battle with the cobra, and fared quite well. I wrestled it to the ground, plucked out it's fangs one by one, then threw it up into the pool table light where it was electricuted to death. (I've since been told that this battle bears resemblance to one in the old story “Rikki Tikki Tavi” by Rudyard Kipling. It is very much possible that I had seen the cartoon version or read the story and that it did influence this aspect of the dream). Having completed my task of dealing with the snake I went to catch up with the others, going through another doggie door into the main part of the house. At this time I was transformed into my human self, and the house was my house (although it was only my house in the dream, it didn't resemble my actual house). I said hello to my mother, as if I'd been out in the woods as usual, and went to my room. At this point I woke up.

Because of this dream, I've always considered the Mongoose to be my totem animal. Mongoose totems are generally known for courage, but for my purposes I'd just consider it a lack of fear, which isn't always the same thing.

Lyrical Saturday: Almost Midnight

Almost Midnight

Visions of the twilight kingdom
Honey you are wearing your symptoms well, this time
So cut loose the ineffective Angel of Mercy
She's only in your mind

You go on ahead now,
Find the road I marked with wishes
Years ago
I watched them fall
Now there's nothing left but this song

It's almost midnight
Two thousand years of torture won't be gone
The air is dying and the night is growing longer

Animistic fantasies
They create the world we thought we'd found
We made ourselves the freaks we are
No use crying 'bout the underground

It's almost midnight
Four thousand headless horsemen can't be wrong
The air is crying and the blizzard's growing stronger

Don't look back now over your shoulder
Don't look back now over your shoulder

It's almost midnight
Two thousand years of torture won't be gone
The air is dying and the night is growing longer

It's almost midnight
Four thousand headless horsemen can't be wrong
The air is crying and the blizzard's growing stronger